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Detail View, the Enlightened One by Liu Yonggang at the O'Donnell Athenaeum Phase I Museum. ©Mauricio Rojas, Courtesy of UT Dallas

The University of Texas at Dallas (UT Dallas) has taken major steps toward bringing to life an ambitious 12-acre cultural district – the Edith and Peter O’Donnell Jr. Athenaeum.Upon completion, the multiphase master plan for the new arts and performance complex will include two museums, a performance hall and music building, a grand plaza and a dedicated parking structure on the Richardson campus. 

UT Dallas leaders held a ribbon-cutting ceremony yesterday for Phase I of the O’Donnell Athenaeum in celebration of the opening of a second location for the Crow Museum of Asian Art. The Phase I building serves as the anchor museum forwhat will be known as the UT Dallas Art Museums.Designed by architectural firm Morphosis, the new facility showcases an array of innovative Asian art exhibitions. It also features selections from the Dallas Museum of Art (DMA) and UT Dallas’ founding families, along with objects from the University’s growing collection of Latin American art and works from renowned Dallas photographer Carolyn Brown.

The Crow Museum of Asian Art (and other galleries) will open to the public today (Wednesday, Sept. 25) at 11 a.m. Admission is free, as it is at the Crow Museum’s original downtown location, which will continue its active and vibrant presence on Flora Street in the Dallas Arts District.

Also launched today was Phase II of the O’Donnell Athenaeum. Leaders broke ground on a state-of-the-art performance hall and music building that will become part of the UT Dallas Harry W. Bass Jr. School of Arts, Humanities, and Technology. It is projected to open in fall 2026.

“We are grateful for the immense generosity and vision of our donors, including the O’Donnell Foundation, the Crow family and others, for providing the foundation for the arts initiative at UT Dallas, which will benefit not only our campus community, but the North Texas community and beyond,” said Dr. Richard C. Benson, UT Dallas President and Eugene McDermott Distinguished University Chair of Leadership. “Expanding and enhancing arts facilities and infrastructure was a cornerstone of our strategic plan, and this opening is a tremendous step forward in that process.”

UT Dallas expands its vision and enhances its curriculum by embracing the arts

With its location on the southeast corner of the main entrance, the O’Donnell Athenaeum will serve as a gateway to the campus while fostering engagement in the arts and learning for students, faculty and staff, neighbors and North Texans, and visitors from across the globe. 

The Phase I building, which includes the Crow Museum of Asian Art collection and additional galleries, is the first cultural building completed as part of the O’Donnell Athenaeum, and it is supported in large part by a $32 million gift from the O’Donnell Foundation. The cultural complex is being constructed in three phases:

  • Phase I (UT Dallas Art Museums) – A two-story, 57,000-square-foot building with exhibition space that more than doubles the Crow Museum’s current gallery space in its downtown Dallas Arts District location. It also includes dedicated gallery space for the UT Dallas Art Museums galleries, along with a conservation studio and more.
  • Phase II – A two-story performance hall and music building with a 680-seat performance hall, an outdoor performance space, rehearsal rooms, practice rooms, teaching studios, percussion studio, recording studio, administrative offices, classrooms, multifunctional lobby space, study spaces and student lounge. Phase II provides about 66,000 square feet of indoor and outdoor program space.
  • Phase III – A future museum building as well as a parking structure that will include two levels above grade and one basement level walkout that will serve the O’Donnell Athenaeum and the campus.


Dr. Inga H. Musselman, UT Dallas provost, vice president for academic affairs and the Cecil H. Green Distinguished Chair of Academic Leadership, said students will be major beneficiaries of the O’Donnell Athenaeum – now, and in the future.

“This complex, like our entire campus, will be a place of learning and growth,” she said. “I envision students walking through the museums during their class breaks or taking notes about pieces of art that are displayed here. The performance hall and music building will provide even more opportunities for students.”

As the principal architect, Morphosis is a globally renowned firm founded by 2005 Pritzker Architecture Prize Laureate Thom Mayne. Led by design partner Arne Emerson, Morphosis developed the master plan for the O’Donnell Athenaeum, as well as designing the buildings within. The firm has deep experience working with higher education institutions and museums. (Morphosis was the architect of record for the Perot Museum of Nature and Science in Dallas.)Partnering with Morphosis is GFF, the local architect.

Dallas-based The Beck Group is leading construction as the project’s general contractor with its joint venture partner, EJ Smith Construction.

Morphosis’ design for the Athenaeum master plan imagines a cultural hub that will redefine how art, music and knowledge are created and shared at the University. Once finished, the landscaped arts plaza and open spaces will work in concert with the buildings to create open, welcoming spaces that foster curiosity and encourage multidisciplinary interaction and learning.

"The O'Donnell Athenaeum was designed as an inviting gateway to inspire creativity and connection," said Arne Emerson, Design Partner at Morphosis. "By enabling visibility into the learning and creative processes within, and providing a variety of spaces for both planned and spontaneous interaction, we aimed to make the arts an integral part of the daily campus experience. We look forward to seeing the transformative impact of UT Dallas's ambitious vision as it takes shape in these new facilities."

Designed for transparency and natural light, the Phase I museum uses large expanses of glass and lightwells in the galleries, lobby and Brettell Reading Room to create a strong connection between the art, visitors and passersby. By placing the galleries on the second floor, expansive covered exterior spaces engage with the campus, offering year-round areas for art, studying and events.

The building features a distinctively patterned, white precast concrete cladding on all sides that is informed by the surrounding context and responds to the ever-changing light of the Texas skies. The facade’s textured and sandblasted finish creates a more intimate sense of scale that relates to buildings and materials across campus, creating a holistic identity for the master plan. The facade uses custom-designed precast concrete panels created locally by GATE Precast of Hillsboro, Texas. 

The joining of two institutions and the birth of the O’Donnell Athenaeum

The Crow Museum is one of the few entities in the U.S. – and the largest in the Southwest – solely dedicated to Asian art.

Its rich history began in 1998 when the Crow Museum of Asian Art (named in honor of Margaret and Trammell Crow) opened its doors in the downtown Dallas Arts District. Avid collectors for decades, the Crows were lauded for generously sharing their beloved collection free of charge to the public. The collection includes thousands of works and artifacts – spanning ancient to contemporary – along with a comprehensive library of books, journals and written documents.

Over the past two decades, the museum has continued to grow its collection through new acquisitions, with a mission to raise the visibility of Asian and Asian-American artists.

In 2019, the Crow family donated the museum’s entire collection for a second museum on the UT Dallas campus. The joining of the two institutions and the idea for the O’Donnell Athenaeum was championed by the late Dr. Richard Brettell, who was the founding director of the Edith O’Donnell Institute of Art History at UT Dallas.

Crow Museum of Asian Art to feature numerous galleries, a multimedia space and a conservation studio

The new Crow Museum of Asian Art on the UT Dallas campus is the first major art museum located north of Interstate 635 and in close proximity to the Collin County and northern Dallas County suburbs.

The Crow Museum of Asian Art is a component of Phase I of the O’Donnell Athenaeum. The Phase I building also includes the beginnings of an outdoor sculpture garden and 12 galleries – eight Crow Museum galleries and four other galleries. The structure includes the Brettell Reading Room, a dedicated art object study room, a conservation studio, a seminar room, the Lotus Shop, lecture and event areas, covered outdoor space, multifunctional lobby space, storage and vault facilities, and administrative offices.

“This day celebrates the many decades of Trammell and Margaret Crow’s deep love for learning and dedication to fostering understanding and compassion in our world. By sharing their collection beyond its original home in the Dallas Arts District onto the UTD campus we will continue to reach the minds and hearts of new generations,” said Amy Lewis Hofland, senior director of the Crow Museum of Asian Art. “Since arriving on the footsteps of UT Dallas, we have expanded our vision of what a campus museum looks like – in the scope of collections, student engagement, and community outreach with unparalleled support from university leadership.”

The Crow Museum’s first major exhibition is Ancient Echoes, Modern Voices: The Crow Collection Goes Beyond, which introduces its permanent collections to new audiences. The inaugural display features eight galleries showcasing hundreds of works, ranging from textiles and ceramics to sculptures and paintings, and includes an immersive multimedia installation.

The galleries are co-conceived by Crow Museum senior director Amy Lewis Hofland, and by the museum’s curator, Dr. Natalia Di Pietrantonio, who was former assistant curator of South Asian art at the Seattle Art Museum. Exhibition design for the galleries was also provided by Morphosis, working in close collaboration with the museum team.

UT Dallas students and faculty will play an integral role at the museum. Academic curriculum – focusing on Asian art, history and culture – will complement the museum offerings. Students will have the opportunity to serve as volunteers and interns and to assist with major installations.

Additionally, the Crow Museum will be available for field trips and educational programs for schoolchildren.

O’Donnell Athenaeum’s Phase I to introduce university partnership with the DMA and showcase UT Dallas’ growing Latin American art collection

The O’Donnell Athenaeum also commemorates a relationship that the founding families of UT Dallas – the McDermotts, Greens and Jonssons – formed with the DMA decades prior to the university’s opening. As a result, the O’Donnell Athenaeum has formed a multiyear partnership with the DMA, whose inaugural exhibition celebrates the commonalities between UT Dallas, the DMA and the three families, illustrating how their contributions to both industry and the arts greatly affected the trajectory of Dallas.

Additional gallery space showcases UT Dallas’ growing Latin American art collection, which includes donations from The Roger Horchow Family Collection (Dallas) and The Laura and Dan Boeckman Collection of Latin American Folk Art (Dallas).

Phase II to bring performance hall and music building to UT Dallas campus

Phase II of the O’Donnell Athenaeum – defined as a space for cultivating knowledge, culture and the arts – will bring to campus a 680-seat music performance hall, designed with a vineyard-style configuration to accommodate live music. Seating will be arranged on all sides of the stage, providing closer connections between musicians and audience members.

The music building will also offer an array of learning and study environments with opportunities for interactions and gatherings. Its north-south oriented bar-shaped section on the second level will face the plaza, which will be built during Phase III. The structure will house two large rehearsal rooms, solo rehearsal rooms, a percussion studio, teaching classrooms, a recording studio, a student study lounge, and a variety of spaces for learning, studying and impromptu musical performances.

“The new performance hall and music building will become a hub of creativity,” said Dr. Nils Roemer, dean of the Bass School, director of the Ackerman Center for Holocaust Studies, the Arts, Humanities, and Technology Distinguished University Chair, and the Stan and Barbara Rabin Distinguished Professor in Holocaust Studies. “It will elevate the arts experience with a world-class stage for students and faculty. It will provide opportunities for us to showcase our incredible talent on campus, attract distinguished performers and engage the broader Dallas community. Designed with a focus on interconnectedness, the classrooms, rehearsal rooms and studios will enable teaching, learning and performing to take place seamlessly."

General information

A full-color, 248-page “Handbook to the Collection” is available for purchase in the Lotus Shop.

UT DALLAS ART MUSEUMS ON THE RICHARDSON CAMPUS. The UT Dallas Art Museums, which include the second location of the Crow Museum of Asian Art, will open to the public tomorrow (Wednesday, Sept. 25) at 11 a.m. Operating hours are Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. The UT Dallas Art Museums is located at 800 W. Campbell Road, Richardson, Texas 75080.

CROW MUSEUM OF ASIAN ART IN THE DOWNTOWN DALLAS ARTS DISTRICT. The Crow Museum of Asian Art in the Dallas Arts District is open Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. It is located at 2010 Flora St., Dallas, Texas 75201.

For information on both museums, please go to oda.UTDallas.edu or call 972-883-6430.

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Detail View, the Enlightened One by Liu Yonggang at the O'Donnell Athenaeum Phase I Museum. ©Mauricio Rojas, Courtesy of UT Dallas

The University of Texas at Dallas (UT Dallas) has taken major steps toward bringing to life an ambitious 12-acre cultural district – the Edith and Peter O’Donnell Jr. Athenaeum.Upon completion, the multiphase master plan for the new arts and performance complex will include two museums, a performance hall and music building, a grand plaza and a dedicated parking structure on the Richardson campus. 

UT Dallas leaders held a ribbon-cutting ceremony yesterday for Phase I of the O’Donnell Athenaeum in celebration of the opening of a second location for the Crow Museum of Asian Art. The Phase I building serves as the anchor museum forwhat will be known as the UT Dallas Art Museums.Designed by architectural firm Morphosis, the new facility showcases an array of innovative Asian art exhibitions. It also features selections from the Dallas Museum of Art (DMA) and UT Dallas’ founding families, along with objects from the University’s growing collection of Latin American art and works from renowned Dallas photographer Carolyn Brown.

The Crow Museum of Asian Art (and other galleries) will open to the public today (Wednesday, Sept. 25) at 11 a.m. Admission is free, as it is at the Crow Museum’s original downtown location, which will continue its active and vibrant presence on Flora Street in the Dallas Arts District.

Also launched today was Phase II of the O’Donnell Athenaeum. Leaders broke ground on a state-of-the-art performance hall and music building that will become part of the UT Dallas Harry W. Bass Jr. School of Arts, Humanities, and Technology. It is projected to open in fall 2026.

“We are grateful for the immense generosity and vision of our donors, including the O’Donnell Foundation, the Crow family and others, for providing the foundation for the arts initiative at UT Dallas, which will benefit not only our campus community, but the North Texas community and beyond,” said Dr. Richard C. Benson, UT Dallas President and Eugene McDermott Distinguished University Chair of Leadership. “Expanding and enhancing arts facilities and infrastructure was a cornerstone of our strategic plan, and this opening is a tremendous step forward in that process.”

UT Dallas expands its vision and enhances its curriculum by embracing the arts

With its location on the southeast corner of the main entrance, the O’Donnell Athenaeum will serve as a gateway to the campus while fostering engagement in the arts and learning for students, faculty and staff, neighbors and North Texans, and visitors from across the globe. 

The Phase I building, which includes the Crow Museum of Asian Art collection and additional galleries, is the first cultural building completed as part of the O’Donnell Athenaeum, and it is supported in large part by a $32 million gift from the O’Donnell Foundation. The cultural complex is being constructed in three phases:

  • Phase I (UT Dallas Art Museums) – A two-story, 57,000-square-foot building with exhibition space that more than doubles the Crow Museum’s current gallery space in its downtown Dallas Arts District location. It also includes dedicated gallery space for the UT Dallas Art Museums galleries, along with a conservation studio and more.
  • Phase II – A two-story performance hall and music building with a 680-seat performance hall, an outdoor performance space, rehearsal rooms, practice rooms, teaching studios, percussion studio, recording studio, administrative offices, classrooms, multifunctional lobby space, study spaces and student lounge. Phase II provides about 66,000 square feet of indoor and outdoor program space.
  • Phase III – A future museum building as well as a parking structure that will include two levels above grade and one basement level walkout that will serve the O’Donnell Athenaeum and the campus.


Dr. Inga H. Musselman, UT Dallas provost, vice president for academic affairs and the Cecil H. Green Distinguished Chair of Academic Leadership, said students will be major beneficiaries of the O’Donnell Athenaeum – now, and in the future.

“This complex, like our entire campus, will be a place of learning and growth,” she said. “I envision students walking through the museums during their class breaks or taking notes about pieces of art that are displayed here. The performance hall and music building will provide even more opportunities for students.”

As the principal architect, Morphosis is a globally renowned firm founded by 2005 Pritzker Architecture Prize Laureate Thom Mayne. Led by design partner Arne Emerson, Morphosis developed the master plan for the O’Donnell Athenaeum, as well as designing the buildings within. The firm has deep experience working with higher education institutions and museums. (Morphosis was the architect of record for the Perot Museum of Nature and Science in Dallas.)Partnering with Morphosis is GFF, the local architect.

Dallas-based The Beck Group is leading construction as the project’s general contractor with its joint venture partner, EJ Smith Construction.

Morphosis’ design for the Athenaeum master plan imagines a cultural hub that will redefine how art, music and knowledge are created and shared at the University. Once finished, the landscaped arts plaza and open spaces will work in concert with the buildings to create open, welcoming spaces that foster curiosity and encourage multidisciplinary interaction and learning.

"The O'Donnell Athenaeum was designed as an inviting gateway to inspire creativity and connection," said Arne Emerson, Design Partner at Morphosis. "By enabling visibility into the learning and creative processes within, and providing a variety of spaces for both planned and spontaneous interaction, we aimed to make the arts an integral part of the daily campus experience. We look forward to seeing the transformative impact of UT Dallas's ambitious vision as it takes shape in these new facilities."

Designed for transparency and natural light, the Phase I museum uses large expanses of glass and lightwells in the galleries, lobby and Brettell Reading Room to create a strong connection between the art, visitors and passersby. By placing the galleries on the second floor, expansive covered exterior spaces engage with the campus, offering year-round areas for art, studying and events.

The building features a distinctively patterned, white precast concrete cladding on all sides that is informed by the surrounding context and responds to the ever-changing light of the Texas skies. The facade’s textured and sandblasted finish creates a more intimate sense of scale that relates to buildings and materials across campus, creating a holistic identity for the master plan. The facade uses custom-designed precast concrete panels created locally by GATE Precast of Hillsboro, Texas. 

The joining of two institutions and the birth of the O’Donnell Athenaeum

The Crow Museum is one of the few entities in the U.S. – and the largest in the Southwest – solely dedicated to Asian art.

Its rich history began in 1998 when the Crow Museum of Asian Art (named in honor of Margaret and Trammell Crow) opened its doors in the downtown Dallas Arts District. Avid collectors for decades, the Crows were lauded for generously sharing their beloved collection free of charge to the public. The collection includes thousands of works and artifacts – spanning ancient to contemporary – along with a comprehensive library of books, journals and written documents.

Over the past two decades, the museum has continued to grow its collection through new acquisitions, with a mission to raise the visibility of Asian and Asian-American artists.

In 2019, the Crow family donated the museum’s entire collection for a second museum on the UT Dallas campus. The joining of the two institutions and the idea for the O’Donnell Athenaeum was championed by the late Dr. Richard Brettell, who was the founding director of the Edith O’Donnell Institute of Art History at UT Dallas.

Crow Museum of Asian Art to feature numerous galleries, a multimedia space and a conservation studio

The new Crow Museum of Asian Art on the UT Dallas campus is the first major art museum located north of Interstate 635 and in close proximity to the Collin County and northern Dallas County suburbs.

The Crow Museum of Asian Art is a component of Phase I of the O’Donnell Athenaeum. The Phase I building also includes the beginnings of an outdoor sculpture garden and 12 galleries – eight Crow Museum galleries and four other galleries. The structure includes the Brettell Reading Room, a dedicated art object study room, a conservation studio, a seminar room, the Lotus Shop, lecture and event areas, covered outdoor space, multifunctional lobby space, storage and vault facilities, and administrative offices.

“This day celebrates the many decades of Trammell and Margaret Crow’s deep love for learning and dedication to fostering understanding and compassion in our world. By sharing their collection beyond its original home in the Dallas Arts District onto the UTD campus we will continue to reach the minds and hearts of new generations,” said Amy Lewis Hofland, senior director of the Crow Museum of Asian Art. “Since arriving on the footsteps of UT Dallas, we have expanded our vision of what a campus museum looks like – in the scope of collections, student engagement, and community outreach with unparalleled support from university leadership.”

The Crow Museum’s first major exhibition is Ancient Echoes, Modern Voices: The Crow Collection Goes Beyond, which introduces its permanent collections to new audiences. The inaugural display features eight galleries showcasing hundreds of works, ranging from textiles and ceramics to sculptures and paintings, and includes an immersive multimedia installation.

The galleries are co-conceived by Crow Museum senior director Amy Lewis Hofland, and by the museum’s curator, Dr. Natalia Di Pietrantonio, who was former assistant curator of South Asian art at the Seattle Art Museum. Exhibition design for the galleries was also provided by Morphosis, working in close collaboration with the museum team.

UT Dallas students and faculty will play an integral role at the museum. Academic curriculum – focusing on Asian art, history and culture – will complement the museum offerings. Students will have the opportunity to serve as volunteers and interns and to assist with major installations.

Additionally, the Crow Museum will be available for field trips and educational programs for schoolchildren.

O’Donnell Athenaeum’s Phase I to introduce university partnership with the DMA and showcase UT Dallas’ growing Latin American art collection

The O’Donnell Athenaeum also commemorates a relationship that the founding families of UT Dallas – the McDermotts, Greens and Jonssons – formed with the DMA decades prior to the university’s opening. As a result, the O’Donnell Athenaeum has formed a multiyear partnership with the DMA, whose inaugural exhibition celebrates the commonalities between UT Dallas, the DMA and the three families, illustrating how their contributions to both industry and the arts greatly affected the trajectory of Dallas.

Additional gallery space showcases UT Dallas’ growing Latin American art collection, which includes donations from The Roger Horchow Family Collection (Dallas) and The Laura and Dan Boeckman Collection of Latin American Folk Art (Dallas).

Phase II to bring performance hall and music building to UT Dallas campus

Phase II of the O’Donnell Athenaeum – defined as a space for cultivating knowledge, culture and the arts – will bring to campus a 680-seat music performance hall, designed with a vineyard-style configuration to accommodate live music. Seating will be arranged on all sides of the stage, providing closer connections between musicians and audience members.

The music building will also offer an array of learning and study environments with opportunities for interactions and gatherings. Its north-south oriented bar-shaped section on the second level will face the plaza, which will be built during Phase III. The structure will house two large rehearsal rooms, solo rehearsal rooms, a percussion studio, teaching classrooms, a recording studio, a student study lounge, and a variety of spaces for learning, studying and impromptu musical performances.

“The new performance hall and music building will become a hub of creativity,” said Dr. Nils Roemer, dean of the Bass School, director of the Ackerman Center for Holocaust Studies, the Arts, Humanities, and Technology Distinguished University Chair, and the Stan and Barbara Rabin Distinguished Professor in Holocaust Studies. “It will elevate the arts experience with a world-class stage for students and faculty. It will provide opportunities for us to showcase our incredible talent on campus, attract distinguished performers and engage the broader Dallas community. Designed with a focus on interconnectedness, the classrooms, rehearsal rooms and studios will enable teaching, learning and performing to take place seamlessly."

General information

A full-color, 248-page “Handbook to the Collection” is available for purchase in the Lotus Shop.

UT DALLAS ART MUSEUMS ON THE RICHARDSON CAMPUS. The UT Dallas Art Museums, which include the second location of the Crow Museum of Asian Art, will open to the public tomorrow (Wednesday, Sept. 25) at 11 a.m. Operating hours are Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. The UT Dallas Art Museums is located at 800 W. Campbell Road, Richardson, Texas 75080.

CROW MUSEUM OF ASIAN ART IN THE DOWNTOWN DALLAS ARTS DISTRICT. The Crow Museum of Asian Art in the Dallas Arts District is open Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. It is located at 2010 Flora St., Dallas, Texas 75201.

For information on both museums, please go to oda.UTDallas.edu or call 972-883-6430.

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Pin on Pinterest
Detail View, the Enlightened One by Liu Yonggang at the O'Donnell Athenaeum Phase I Museum. ©Mauricio Rojas, Courtesy of UT Dallas

The University of Texas at Dallas (UT Dallas) has taken major steps toward bringing to life an ambitious 12-acre cultural district – the Edith and Peter O’Donnell Jr. Athenaeum.Upon completion, the multiphase master plan for the new arts and performance complex will include two museums, a performance hall and music building, a grand plaza and a dedicated parking structure on the Richardson campus. 

UT Dallas leaders held a ribbon-cutting ceremony yesterday for Phase I of the O’Donnell Athenaeum in celebration of the opening of a second location for the Crow Museum of Asian Art. The Phase I building serves as the anchor museum forwhat will be known as the UT Dallas Art Museums.Designed by architectural firm Morphosis, the new facility showcases an array of innovative Asian art exhibitions. It also features selections from the Dallas Museum of Art (DMA) and UT Dallas’ founding families, along with objects from the University’s growing collection of Latin American art and works from renowned Dallas photographer Carolyn Brown.

The Crow Museum of Asian Art (and other galleries) will open to the public today (Wednesday, Sept. 25) at 11 a.m. Admission is free, as it is at the Crow Museum’s original downtown location, which will continue its active and vibrant presence on Flora Street in the Dallas Arts District.

Also launched today was Phase II of the O’Donnell Athenaeum. Leaders broke ground on a state-of-the-art performance hall and music building that will become part of the UT Dallas Harry W. Bass Jr. School of Arts, Humanities, and Technology. It is projected to open in fall 2026.

“We are grateful for the immense generosity and vision of our donors, including the O’Donnell Foundation, the Crow family and others, for providing the foundation for the arts initiative at UT Dallas, which will benefit not only our campus community, but the North Texas community and beyond,” said Dr. Richard C. Benson, UT Dallas President and Eugene McDermott Distinguished University Chair of Leadership. “Expanding and enhancing arts facilities and infrastructure was a cornerstone of our strategic plan, and this opening is a tremendous step forward in that process.”

UT Dallas expands its vision and enhances its curriculum by embracing the arts

With its location on the southeast corner of the main entrance, the O’Donnell Athenaeum will serve as a gateway to the campus while fostering engagement in the arts and learning for students, faculty and staff, neighbors and North Texans, and visitors from across the globe. 

The Phase I building, which includes the Crow Museum of Asian Art collection and additional galleries, is the first cultural building completed as part of the O’Donnell Athenaeum, and it is supported in large part by a $32 million gift from the O’Donnell Foundation. The cultural complex is being constructed in three phases:

  • Phase I (UT Dallas Art Museums) – A two-story, 57,000-square-foot building with exhibition space that more than doubles the Crow Museum’s current gallery space in its downtown Dallas Arts District location. It also includes dedicated gallery space for the UT Dallas Art Museums galleries, along with a conservation studio and more.
  • Phase II – A two-story performance hall and music building with a 680-seat performance hall, an outdoor performance space, rehearsal rooms, practice rooms, teaching studios, percussion studio, recording studio, administrative offices, classrooms, multifunctional lobby space, study spaces and student lounge. Phase II provides about 66,000 square feet of indoor and outdoor program space.
  • Phase III – A future museum building as well as a parking structure that will include two levels above grade and one basement level walkout that will serve the O’Donnell Athenaeum and the campus.


Dr. Inga H. Musselman, UT Dallas provost, vice president for academic affairs and the Cecil H. Green Distinguished Chair of Academic Leadership, said students will be major beneficiaries of the O’Donnell Athenaeum – now, and in the future.

“This complex, like our entire campus, will be a place of learning and growth,” she said. “I envision students walking through the museums during their class breaks or taking notes about pieces of art that are displayed here. The performance hall and music building will provide even more opportunities for students.”

As the principal architect, Morphosis is a globally renowned firm founded by 2005 Pritzker Architecture Prize Laureate Thom Mayne. Led by design partner Arne Emerson, Morphosis developed the master plan for the O’Donnell Athenaeum, as well as designing the buildings within. The firm has deep experience working with higher education institutions and museums. (Morphosis was the architect of record for the Perot Museum of Nature and Science in Dallas.)Partnering with Morphosis is GFF, the local architect.

Dallas-based The Beck Group is leading construction as the project’s general contractor with its joint venture partner, EJ Smith Construction.

Morphosis’ design for the Athenaeum master plan imagines a cultural hub that will redefine how art, music and knowledge are created and shared at the University. Once finished, the landscaped arts plaza and open spaces will work in concert with the buildings to create open, welcoming spaces that foster curiosity and encourage multidisciplinary interaction and learning.

"The O'Donnell Athenaeum was designed as an inviting gateway to inspire creativity and connection," said Arne Emerson, Design Partner at Morphosis. "By enabling visibility into the learning and creative processes within, and providing a variety of spaces for both planned and spontaneous interaction, we aimed to make the arts an integral part of the daily campus experience. We look forward to seeing the transformative impact of UT Dallas's ambitious vision as it takes shape in these new facilities."

Designed for transparency and natural light, the Phase I museum uses large expanses of glass and lightwells in the galleries, lobby and Brettell Reading Room to create a strong connection between the art, visitors and passersby. By placing the galleries on the second floor, expansive covered exterior spaces engage with the campus, offering year-round areas for art, studying and events.

The building features a distinctively patterned, white precast concrete cladding on all sides that is informed by the surrounding context and responds to the ever-changing light of the Texas skies. The facade’s textured and sandblasted finish creates a more intimate sense of scale that relates to buildings and materials across campus, creating a holistic identity for the master plan. The facade uses custom-designed precast concrete panels created locally by GATE Precast of Hillsboro, Texas. 

The joining of two institutions and the birth of the O’Donnell Athenaeum

The Crow Museum is one of the few entities in the U.S. – and the largest in the Southwest – solely dedicated to Asian art.

Its rich history began in 1998 when the Crow Museum of Asian Art (named in honor of Margaret and Trammell Crow) opened its doors in the downtown Dallas Arts District. Avid collectors for decades, the Crows were lauded for generously sharing their beloved collection free of charge to the public. The collection includes thousands of works and artifacts – spanning ancient to contemporary – along with a comprehensive library of books, journals and written documents.

Over the past two decades, the museum has continued to grow its collection through new acquisitions, with a mission to raise the visibility of Asian and Asian-American artists.

In 2019, the Crow family donated the museum’s entire collection for a second museum on the UT Dallas campus. The joining of the two institutions and the idea for the O’Donnell Athenaeum was championed by the late Dr. Richard Brettell, who was the founding director of the Edith O’Donnell Institute of Art History at UT Dallas.

Crow Museum of Asian Art to feature numerous galleries, a multimedia space and a conservation studio

The new Crow Museum of Asian Art on the UT Dallas campus is the first major art museum located north of Interstate 635 and in close proximity to the Collin County and northern Dallas County suburbs.

The Crow Museum of Asian Art is a component of Phase I of the O’Donnell Athenaeum. The Phase I building also includes the beginnings of an outdoor sculpture garden and 12 galleries – eight Crow Museum galleries and four other galleries. The structure includes the Brettell Reading Room, a dedicated art object study room, a conservation studio, a seminar room, the Lotus Shop, lecture and event areas, covered outdoor space, multifunctional lobby space, storage and vault facilities, and administrative offices.

“This day celebrates the many decades of Trammell and Margaret Crow’s deep love for learning and dedication to fostering understanding and compassion in our world. By sharing their collection beyond its original home in the Dallas Arts District onto the UTD campus we will continue to reach the minds and hearts of new generations,” said Amy Lewis Hofland, senior director of the Crow Museum of Asian Art. “Since arriving on the footsteps of UT Dallas, we have expanded our vision of what a campus museum looks like – in the scope of collections, student engagement, and community outreach with unparalleled support from university leadership.”

The Crow Museum’s first major exhibition is Ancient Echoes, Modern Voices: The Crow Collection Goes Beyond, which introduces its permanent collections to new audiences. The inaugural display features eight galleries showcasing hundreds of works, ranging from textiles and ceramics to sculptures and paintings, and includes an immersive multimedia installation.

The galleries are co-conceived by Crow Museum senior director Amy Lewis Hofland, and by the museum’s curator, Dr. Natalia Di Pietrantonio, who was former assistant curator of South Asian art at the Seattle Art Museum. Exhibition design for the galleries was also provided by Morphosis, working in close collaboration with the museum team.

UT Dallas students and faculty will play an integral role at the museum. Academic curriculum – focusing on Asian art, history and culture – will complement the museum offerings. Students will have the opportunity to serve as volunteers and interns and to assist with major installations.

Additionally, the Crow Museum will be available for field trips and educational programs for schoolchildren.

O’Donnell Athenaeum’s Phase I to introduce university partnership with the DMA and showcase UT Dallas’ growing Latin American art collection

The O’Donnell Athenaeum also commemorates a relationship that the founding families of UT Dallas – the McDermotts, Greens and Jonssons – formed with the DMA decades prior to the university’s opening. As a result, the O’Donnell Athenaeum has formed a multiyear partnership with the DMA, whose inaugural exhibition celebrates the commonalities between UT Dallas, the DMA and the three families, illustrating how their contributions to both industry and the arts greatly affected the trajectory of Dallas.

Additional gallery space showcases UT Dallas’ growing Latin American art collection, which includes donations from The Roger Horchow Family Collection (Dallas) and The Laura and Dan Boeckman Collection of Latin American Folk Art (Dallas).

Phase II to bring performance hall and music building to UT Dallas campus

Phase II of the O’Donnell Athenaeum – defined as a space for cultivating knowledge, culture and the arts – will bring to campus a 680-seat music performance hall, designed with a vineyard-style configuration to accommodate live music. Seating will be arranged on all sides of the stage, providing closer connections between musicians and audience members.

The music building will also offer an array of learning and study environments with opportunities for interactions and gatherings. Its north-south oriented bar-shaped section on the second level will face the plaza, which will be built during Phase III. The structure will house two large rehearsal rooms, solo rehearsal rooms, a percussion studio, teaching classrooms, a recording studio, a student study lounge, and a variety of spaces for learning, studying and impromptu musical performances.

“The new performance hall and music building will become a hub of creativity,” said Dr. Nils Roemer, dean of the Bass School, director of the Ackerman Center for Holocaust Studies, the Arts, Humanities, and Technology Distinguished University Chair, and the Stan and Barbara Rabin Distinguished Professor in Holocaust Studies. “It will elevate the arts experience with a world-class stage for students and faculty. It will provide opportunities for us to showcase our incredible talent on campus, attract distinguished performers and engage the broader Dallas community. Designed with a focus on interconnectedness, the classrooms, rehearsal rooms and studios will enable teaching, learning and performing to take place seamlessly."

General information

A full-color, 248-page “Handbook to the Collection” is available for purchase in the Lotus Shop.

UT DALLAS ART MUSEUMS ON THE RICHARDSON CAMPUS. The UT Dallas Art Museums, which include the second location of the Crow Museum of Asian Art, will open to the public tomorrow (Wednesday, Sept. 25) at 11 a.m. Operating hours are Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. The UT Dallas Art Museums is located at 800 W. Campbell Road, Richardson, Texas 75080.

CROW MUSEUM OF ASIAN ART IN THE DOWNTOWN DALLAS ARTS DISTRICT. The Crow Museum of Asian Art in the Dallas Arts District is open Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. It is located at 2010 Flora St., Dallas, Texas 75201.

For information on both museums, please go to oda.UTDallas.edu or call 972-883-6430.

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Detail View, the Enlightened One by Liu Yonggang at the O'Donnell Athenaeum Phase I Museum. ©Mauricio Rojas, Courtesy of UT Dallas

The University of Texas at Dallas (UT Dallas) has taken major steps toward bringing to life an ambitious 12-acre cultural district – the Edith and Peter O’Donnell Jr. Athenaeum.Upon completion, the multiphase master plan for the new arts and performance complex will include two museums, a performance hall and music building, a grand plaza and a dedicated parking structure on the Richardson campus. 

UT Dallas leaders held a ribbon-cutting ceremony yesterday for Phase I of the O’Donnell Athenaeum in celebration of the opening of a second location for the Crow Museum of Asian Art. The Phase I building serves as the anchor museum forwhat will be known as the UT Dallas Art Museums.Designed by architectural firm Morphosis, the new facility showcases an array of innovative Asian art exhibitions. It also features selections from the Dallas Museum of Art (DMA) and UT Dallas’ founding families, along with objects from the University’s growing collection of Latin American art and works from renowned Dallas photographer Carolyn Brown.

The Crow Museum of Asian Art (and other galleries) will open to the public today (Wednesday, Sept. 25) at 11 a.m. Admission is free, as it is at the Crow Museum’s original downtown location, which will continue its active and vibrant presence on Flora Street in the Dallas Arts District.

Also launched today was Phase II of the O’Donnell Athenaeum. Leaders broke ground on a state-of-the-art performance hall and music building that will become part of the UT Dallas Harry W. Bass Jr. School of Arts, Humanities, and Technology. It is projected to open in fall 2026.

“We are grateful for the immense generosity and vision of our donors, including the O’Donnell Foundation, the Crow family and others, for providing the foundation for the arts initiative at UT Dallas, which will benefit not only our campus community, but the North Texas community and beyond,” said Dr. Richard C. Benson, UT Dallas President and Eugene McDermott Distinguished University Chair of Leadership. “Expanding and enhancing arts facilities and infrastructure was a cornerstone of our strategic plan, and this opening is a tremendous step forward in that process.”

UT Dallas expands its vision and enhances its curriculum by embracing the arts

With its location on the southeast corner of the main entrance, the O’Donnell Athenaeum will serve as a gateway to the campus while fostering engagement in the arts and learning for students, faculty and staff, neighbors and North Texans, and visitors from across the globe. 

The Phase I building, which includes the Crow Museum of Asian Art collection and additional galleries, is the first cultural building completed as part of the O’Donnell Athenaeum, and it is supported in large part by a $32 million gift from the O’Donnell Foundation. The cultural complex is being constructed in three phases:

  • Phase I (UT Dallas Art Museums) – A two-story, 57,000-square-foot building with exhibition space that more than doubles the Crow Museum’s current gallery space in its downtown Dallas Arts District location. It also includes dedicated gallery space for the UT Dallas Art Museums galleries, along with a conservation studio and more.
  • Phase II – A two-story performance hall and music building with a 680-seat performance hall, an outdoor performance space, rehearsal rooms, practice rooms, teaching studios, percussion studio, recording studio, administrative offices, classrooms, multifunctional lobby space, study spaces and student lounge. Phase II provides about 66,000 square feet of indoor and outdoor program space.
  • Phase III – A future museum building as well as a parking structure that will include two levels above grade and one basement level walkout that will serve the O’Donnell Athenaeum and the campus.


Dr. Inga H. Musselman, UT Dallas provost, vice president for academic affairs and the Cecil H. Green Distinguished Chair of Academic Leadership, said students will be major beneficiaries of the O’Donnell Athenaeum – now, and in the future.

“This complex, like our entire campus, will be a place of learning and growth,” she said. “I envision students walking through the museums during their class breaks or taking notes about pieces of art that are displayed here. The performance hall and music building will provide even more opportunities for students.”

As the principal architect, Morphosis is a globally renowned firm founded by 2005 Pritzker Architecture Prize Laureate Thom Mayne. Led by design partner Arne Emerson, Morphosis developed the master plan for the O’Donnell Athenaeum, as well as designing the buildings within. The firm has deep experience working with higher education institutions and museums. (Morphosis was the architect of record for the Perot Museum of Nature and Science in Dallas.)Partnering with Morphosis is GFF, the local architect.

Dallas-based The Beck Group is leading construction as the project’s general contractor with its joint venture partner, EJ Smith Construction.

Morphosis’ design for the Athenaeum master plan imagines a cultural hub that will redefine how art, music and knowledge are created and shared at the University. Once finished, the landscaped arts plaza and open spaces will work in concert with the buildings to create open, welcoming spaces that foster curiosity and encourage multidisciplinary interaction and learning.

"The O'Donnell Athenaeum was designed as an inviting gateway to inspire creativity and connection," said Arne Emerson, Design Partner at Morphosis. "By enabling visibility into the learning and creative processes within, and providing a variety of spaces for both planned and spontaneous interaction, we aimed to make the arts an integral part of the daily campus experience. We look forward to seeing the transformative impact of UT Dallas's ambitious vision as it takes shape in these new facilities."

Designed for transparency and natural light, the Phase I museum uses large expanses of glass and lightwells in the galleries, lobby and Brettell Reading Room to create a strong connection between the art, visitors and passersby. By placing the galleries on the second floor, expansive covered exterior spaces engage with the campus, offering year-round areas for art, studying and events.

The building features a distinctively patterned, white precast concrete cladding on all sides that is informed by the surrounding context and responds to the ever-changing light of the Texas skies. The facade’s textured and sandblasted finish creates a more intimate sense of scale that relates to buildings and materials across campus, creating a holistic identity for the master plan. The facade uses custom-designed precast concrete panels created locally by GATE Precast of Hillsboro, Texas. 

The joining of two institutions and the birth of the O’Donnell Athenaeum

The Crow Museum is one of the few entities in the U.S. – and the largest in the Southwest – solely dedicated to Asian art.

Its rich history began in 1998 when the Crow Museum of Asian Art (named in honor of Margaret and Trammell Crow) opened its doors in the downtown Dallas Arts District. Avid collectors for decades, the Crows were lauded for generously sharing their beloved collection free of charge to the public. The collection includes thousands of works and artifacts – spanning ancient to contemporary – along with a comprehensive library of books, journals and written documents.

Over the past two decades, the museum has continued to grow its collection through new acquisitions, with a mission to raise the visibility of Asian and Asian-American artists.

In 2019, the Crow family donated the museum’s entire collection for a second museum on the UT Dallas campus. The joining of the two institutions and the idea for the O’Donnell Athenaeum was championed by the late Dr. Richard Brettell, who was the founding director of the Edith O’Donnell Institute of Art History at UT Dallas.

Crow Museum of Asian Art to feature numerous galleries, a multimedia space and a conservation studio

The new Crow Museum of Asian Art on the UT Dallas campus is the first major art museum located north of Interstate 635 and in close proximity to the Collin County and northern Dallas County suburbs.

The Crow Museum of Asian Art is a component of Phase I of the O’Donnell Athenaeum. The Phase I building also includes the beginnings of an outdoor sculpture garden and 12 galleries – eight Crow Museum galleries and four other galleries. The structure includes the Brettell Reading Room, a dedicated art object study room, a conservation studio, a seminar room, the Lotus Shop, lecture and event areas, covered outdoor space, multifunctional lobby space, storage and vault facilities, and administrative offices.

“This day celebrates the many decades of Trammell and Margaret Crow’s deep love for learning and dedication to fostering understanding and compassion in our world. By sharing their collection beyond its original home in the Dallas Arts District onto the UTD campus we will continue to reach the minds and hearts of new generations,” said Amy Lewis Hofland, senior director of the Crow Museum of Asian Art. “Since arriving on the footsteps of UT Dallas, we have expanded our vision of what a campus museum looks like – in the scope of collections, student engagement, and community outreach with unparalleled support from university leadership.”

The Crow Museum’s first major exhibition is Ancient Echoes, Modern Voices: The Crow Collection Goes Beyond, which introduces its permanent collections to new audiences. The inaugural display features eight galleries showcasing hundreds of works, ranging from textiles and ceramics to sculptures and paintings, and includes an immersive multimedia installation.

The galleries are co-conceived by Crow Museum senior director Amy Lewis Hofland, and by the museum’s curator, Dr. Natalia Di Pietrantonio, who was former assistant curator of South Asian art at the Seattle Art Museum. Exhibition design for the galleries was also provided by Morphosis, working in close collaboration with the museum team.

UT Dallas students and faculty will play an integral role at the museum. Academic curriculum – focusing on Asian art, history and culture – will complement the museum offerings. Students will have the opportunity to serve as volunteers and interns and to assist with major installations.

Additionally, the Crow Museum will be available for field trips and educational programs for schoolchildren.

O’Donnell Athenaeum’s Phase I to introduce university partnership with the DMA and showcase UT Dallas’ growing Latin American art collection

The O’Donnell Athenaeum also commemorates a relationship that the founding families of UT Dallas – the McDermotts, Greens and Jonssons – formed with the DMA decades prior to the university’s opening. As a result, the O’Donnell Athenaeum has formed a multiyear partnership with the DMA, whose inaugural exhibition celebrates the commonalities between UT Dallas, the DMA and the three families, illustrating how their contributions to both industry and the arts greatly affected the trajectory of Dallas.

Additional gallery space showcases UT Dallas’ growing Latin American art collection, which includes donations from The Roger Horchow Family Collection (Dallas) and The Laura and Dan Boeckman Collection of Latin American Folk Art (Dallas).

Phase II to bring performance hall and music building to UT Dallas campus

Phase II of the O’Donnell Athenaeum – defined as a space for cultivating knowledge, culture and the arts – will bring to campus a 680-seat music performance hall, designed with a vineyard-style configuration to accommodate live music. Seating will be arranged on all sides of the stage, providing closer connections between musicians and audience members.

The music building will also offer an array of learning and study environments with opportunities for interactions and gatherings. Its north-south oriented bar-shaped section on the second level will face the plaza, which will be built during Phase III. The structure will house two large rehearsal rooms, solo rehearsal rooms, a percussion studio, teaching classrooms, a recording studio, a student study lounge, and a variety of spaces for learning, studying and impromptu musical performances.

“The new performance hall and music building will become a hub of creativity,” said Dr. Nils Roemer, dean of the Bass School, director of the Ackerman Center for Holocaust Studies, the Arts, Humanities, and Technology Distinguished University Chair, and the Stan and Barbara Rabin Distinguished Professor in Holocaust Studies. “It will elevate the arts experience with a world-class stage for students and faculty. It will provide opportunities for us to showcase our incredible talent on campus, attract distinguished performers and engage the broader Dallas community. Designed with a focus on interconnectedness, the classrooms, rehearsal rooms and studios will enable teaching, learning and performing to take place seamlessly."

General information

A full-color, 248-page “Handbook to the Collection” is available for purchase in the Lotus Shop.

UT DALLAS ART MUSEUMS ON THE RICHARDSON CAMPUS. The UT Dallas Art Museums, which include the second location of the Crow Museum of Asian Art, will open to the public tomorrow (Wednesday, Sept. 25) at 11 a.m. Operating hours are Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. The UT Dallas Art Museums is located at 800 W. Campbell Road, Richardson, Texas 75080.

CROW MUSEUM OF ASIAN ART IN THE DOWNTOWN DALLAS ARTS DISTRICT. The Crow Museum of Asian Art in the Dallas Arts District is open Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. It is located at 2010 Flora St., Dallas, Texas 75201.

For information on both museums, please go to oda.UTDallas.edu or call 972-883-6430.

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Detail View, the Enlightened One by Liu Yonggang at the O'Donnell Athenaeum Phase I Museum. ©Mauricio Rojas, Courtesy of UT Dallas

The University of Texas at Dallas (UT Dallas) has taken major steps toward bringing to life an ambitious 12-acre cultural district – the Edith and Peter O’Donnell Jr. Athenaeum.Upon completion, the multiphase master plan for the new arts and performance complex will include two museums, a performance hall and music building, a grand plaza and a dedicated parking structure on the Richardson campus. 

UT Dallas leaders held a ribbon-cutting ceremony yesterday for Phase I of the O’Donnell Athenaeum in celebration of the opening of a second location for the Crow Museum of Asian Art. The Phase I building serves as the anchor museum forwhat will be known as the UT Dallas Art Museums.Designed by architectural firm Morphosis, the new facility showcases an array of innovative Asian art exhibitions. It also features selections from the Dallas Museum of Art (DMA) and UT Dallas’ founding families, along with objects from the University’s growing collection of Latin American art and works from renowned Dallas photographer Carolyn Brown.

The Crow Museum of Asian Art (and other galleries) will open to the public today (Wednesday, Sept. 25) at 11 a.m. Admission is free, as it is at the Crow Museum’s original downtown location, which will continue its active and vibrant presence on Flora Street in the Dallas Arts District.

Also launched today was Phase II of the O’Donnell Athenaeum. Leaders broke ground on a state-of-the-art performance hall and music building that will become part of the UT Dallas Harry W. Bass Jr. School of Arts, Humanities, and Technology. It is projected to open in fall 2026.

“We are grateful for the immense generosity and vision of our donors, including the O’Donnell Foundation, the Crow family and others, for providing the foundation for the arts initiative at UT Dallas, which will benefit not only our campus community, but the North Texas community and beyond,” said Dr. Richard C. Benson, UT Dallas President and Eugene McDermott Distinguished University Chair of Leadership. “Expanding and enhancing arts facilities and infrastructure was a cornerstone of our strategic plan, and this opening is a tremendous step forward in that process.”

UT Dallas expands its vision and enhances its curriculum by embracing the arts

With its location on the southeast corner of the main entrance, the O’Donnell Athenaeum will serve as a gateway to the campus while fostering engagement in the arts and learning for students, faculty and staff, neighbors and North Texans, and visitors from across the globe. 

The Phase I building, which includes the Crow Museum of Asian Art collection and additional galleries, is the first cultural building completed as part of the O’Donnell Athenaeum, and it is supported in large part by a $32 million gift from the O’Donnell Foundation. The cultural complex is being constructed in three phases:

  • Phase I (UT Dallas Art Museums) – A two-story, 57,000-square-foot building with exhibition space that more than doubles the Crow Museum’s current gallery space in its downtown Dallas Arts District location. It also includes dedicated gallery space for the UT Dallas Art Museums galleries, along with a conservation studio and more.
  • Phase II – A two-story performance hall and music building with a 680-seat performance hall, an outdoor performance space, rehearsal rooms, practice rooms, teaching studios, percussion studio, recording studio, administrative offices, classrooms, multifunctional lobby space, study spaces and student lounge. Phase II provides about 66,000 square feet of indoor and outdoor program space.
  • Phase III – A future museum building as well as a parking structure that will include two levels above grade and one basement level walkout that will serve the O’Donnell Athenaeum and the campus.


Dr. Inga H. Musselman, UT Dallas provost, vice president for academic affairs and the Cecil H. Green Distinguished Chair of Academic Leadership, said students will be major beneficiaries of the O’Donnell Athenaeum – now, and in the future.

“This complex, like our entire campus, will be a place of learning and growth,” she said. “I envision students walking through the museums during their class breaks or taking notes about pieces of art that are displayed here. The performance hall and music building will provide even more opportunities for students.”

As the principal architect, Morphosis is a globally renowned firm founded by 2005 Pritzker Architecture Prize Laureate Thom Mayne. Led by design partner Arne Emerson, Morphosis developed the master plan for the O’Donnell Athenaeum, as well as designing the buildings within. The firm has deep experience working with higher education institutions and museums. (Morphosis was the architect of record for the Perot Museum of Nature and Science in Dallas.)Partnering with Morphosis is GFF, the local architect.

Dallas-based The Beck Group is leading construction as the project’s general contractor with its joint venture partner, EJ Smith Construction.

Morphosis’ design for the Athenaeum master plan imagines a cultural hub that will redefine how art, music and knowledge are created and shared at the University. Once finished, the landscaped arts plaza and open spaces will work in concert with the buildings to create open, welcoming spaces that foster curiosity and encourage multidisciplinary interaction and learning.

"The O'Donnell Athenaeum was designed as an inviting gateway to inspire creativity and connection," said Arne Emerson, Design Partner at Morphosis. "By enabling visibility into the learning and creative processes within, and providing a variety of spaces for both planned and spontaneous interaction, we aimed to make the arts an integral part of the daily campus experience. We look forward to seeing the transformative impact of UT Dallas's ambitious vision as it takes shape in these new facilities."

Designed for transparency and natural light, the Phase I museum uses large expanses of glass and lightwells in the galleries, lobby and Brettell Reading Room to create a strong connection between the art, visitors and passersby. By placing the galleries on the second floor, expansive covered exterior spaces engage with the campus, offering year-round areas for art, studying and events.

The building features a distinctively patterned, white precast concrete cladding on all sides that is informed by the surrounding context and responds to the ever-changing light of the Texas skies. The facade’s textured and sandblasted finish creates a more intimate sense of scale that relates to buildings and materials across campus, creating a holistic identity for the master plan. The facade uses custom-designed precast concrete panels created locally by GATE Precast of Hillsboro, Texas. 

The joining of two institutions and the birth of the O’Donnell Athenaeum

The Crow Museum is one of the few entities in the U.S. – and the largest in the Southwest – solely dedicated to Asian art.

Its rich history began in 1998 when the Crow Museum of Asian Art (named in honor of Margaret and Trammell Crow) opened its doors in the downtown Dallas Arts District. Avid collectors for decades, the Crows were lauded for generously sharing their beloved collection free of charge to the public. The collection includes thousands of works and artifacts – spanning ancient to contemporary – along with a comprehensive library of books, journals and written documents.

Over the past two decades, the museum has continued to grow its collection through new acquisitions, with a mission to raise the visibility of Asian and Asian-American artists.

In 2019, the Crow family donated the museum’s entire collection for a second museum on the UT Dallas campus. The joining of the two institutions and the idea for the O’Donnell Athenaeum was championed by the late Dr. Richard Brettell, who was the founding director of the Edith O’Donnell Institute of Art History at UT Dallas.

Crow Museum of Asian Art to feature numerous galleries, a multimedia space and a conservation studio

The new Crow Museum of Asian Art on the UT Dallas campus is the first major art museum located north of Interstate 635 and in close proximity to the Collin County and northern Dallas County suburbs.

The Crow Museum of Asian Art is a component of Phase I of the O’Donnell Athenaeum. The Phase I building also includes the beginnings of an outdoor sculpture garden and 12 galleries – eight Crow Museum galleries and four other galleries. The structure includes the Brettell Reading Room, a dedicated art object study room, a conservation studio, a seminar room, the Lotus Shop, lecture and event areas, covered outdoor space, multifunctional lobby space, storage and vault facilities, and administrative offices.

“This day celebrates the many decades of Trammell and Margaret Crow’s deep love for learning and dedication to fostering understanding and compassion in our world. By sharing their collection beyond its original home in the Dallas Arts District onto the UTD campus we will continue to reach the minds and hearts of new generations,” said Amy Lewis Hofland, senior director of the Crow Museum of Asian Art. “Since arriving on the footsteps of UT Dallas, we have expanded our vision of what a campus museum looks like – in the scope of collections, student engagement, and community outreach with unparalleled support from university leadership.”

The Crow Museum’s first major exhibition is Ancient Echoes, Modern Voices: The Crow Collection Goes Beyond, which introduces its permanent collections to new audiences. The inaugural display features eight galleries showcasing hundreds of works, ranging from textiles and ceramics to sculptures and paintings, and includes an immersive multimedia installation.

The galleries are co-conceived by Crow Museum senior director Amy Lewis Hofland, and by the museum’s curator, Dr. Natalia Di Pietrantonio, who was former assistant curator of South Asian art at the Seattle Art Museum. Exhibition design for the galleries was also provided by Morphosis, working in close collaboration with the museum team.

UT Dallas students and faculty will play an integral role at the museum. Academic curriculum – focusing on Asian art, history and culture – will complement the museum offerings. Students will have the opportunity to serve as volunteers and interns and to assist with major installations.

Additionally, the Crow Museum will be available for field trips and educational programs for schoolchildren.

O’Donnell Athenaeum’s Phase I to introduce university partnership with the DMA and showcase UT Dallas’ growing Latin American art collection

The O’Donnell Athenaeum also commemorates a relationship that the founding families of UT Dallas – the McDermotts, Greens and Jonssons – formed with the DMA decades prior to the university’s opening. As a result, the O’Donnell Athenaeum has formed a multiyear partnership with the DMA, whose inaugural exhibition celebrates the commonalities between UT Dallas, the DMA and the three families, illustrating how their contributions to both industry and the arts greatly affected the trajectory of Dallas.

Additional gallery space showcases UT Dallas’ growing Latin American art collection, which includes donations from The Roger Horchow Family Collection (Dallas) and The Laura and Dan Boeckman Collection of Latin American Folk Art (Dallas).

Phase II to bring performance hall and music building to UT Dallas campus

Phase II of the O’Donnell Athenaeum – defined as a space for cultivating knowledge, culture and the arts – will bring to campus a 680-seat music performance hall, designed with a vineyard-style configuration to accommodate live music. Seating will be arranged on all sides of the stage, providing closer connections between musicians and audience members.

The music building will also offer an array of learning and study environments with opportunities for interactions and gatherings. Its north-south oriented bar-shaped section on the second level will face the plaza, which will be built during Phase III. The structure will house two large rehearsal rooms, solo rehearsal rooms, a percussion studio, teaching classrooms, a recording studio, a student study lounge, and a variety of spaces for learning, studying and impromptu musical performances.

“The new performance hall and music building will become a hub of creativity,” said Dr. Nils Roemer, dean of the Bass School, director of the Ackerman Center for Holocaust Studies, the Arts, Humanities, and Technology Distinguished University Chair, and the Stan and Barbara Rabin Distinguished Professor in Holocaust Studies. “It will elevate the arts experience with a world-class stage for students and faculty. It will provide opportunities for us to showcase our incredible talent on campus, attract distinguished performers and engage the broader Dallas community. Designed with a focus on interconnectedness, the classrooms, rehearsal rooms and studios will enable teaching, learning and performing to take place seamlessly."

General information

A full-color, 248-page “Handbook to the Collection” is available for purchase in the Lotus Shop.

UT DALLAS ART MUSEUMS ON THE RICHARDSON CAMPUS. The UT Dallas Art Museums, which include the second location of the Crow Museum of Asian Art, will open to the public tomorrow (Wednesday, Sept. 25) at 11 a.m. Operating hours are Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. The UT Dallas Art Museums is located at 800 W. Campbell Road, Richardson, Texas 75080.

CROW MUSEUM OF ASIAN ART IN THE DOWNTOWN DALLAS ARTS DISTRICT. The Crow Museum of Asian Art in the Dallas Arts District is open Tuesdays-Sundays (11 a.m. to 5 p.m.). The museum is closed on Mondays. Admission is free. It is located at 2010 Flora St., Dallas, Texas 75201.

For information on both museums, please go to oda.UTDallas.edu or call 972-883-6430.

Patricia Chi
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Grant O'Neal.jpg

Our Varsity team traveled to Round Rock, Texas, to compete in the Hoka/McNeil Invitational on Saturday, September 21. With over 300 teams competing, the race featured some of the toughest competition in the state on the challenging state course. Despite the intense field, our athletes delivered impressive performances, showing both determination and grit. For many of our fresh runners, this meet provided valuable experience as they prepare for future competitions.

 


 

Individual and Team Highlights

 

Top Performers for the Male Runners

 

  • Gold Boys – HS Teams (Overall 25thPlace):
  • Grant O’Neal finished 86th - 16:51.00
  • Rohit Kalpathy finished 108th - 17:00.10
  • Rodrigo Abrego finished 134th - 17:13.80

 

Coach Wren added:

“The varsity boys have been dealing with different illnesses over the course of the last three weeks.  We were once again running without one of our runners.  It was not a great day for our varsity boys.  Grant O'Neal led the way.  I felt like Rodrick Abrego ran a good race as well.  It was Rodrick's first race with our top team, so I was anxious to see how he would do.”

 

 

  • Silver Boys – HS Teams (Overall 23rd Place):
  • Diego Morales finished 51st - 17:28.90
  • Sam Meier finished 83rd - 17:51.40
  • Aiden George finished 128th - 18:22.40

 

Per Coach Wren:

"The course got the best of our silver group as well. That said, I felt like Diego Morales ran well after being out a few weeks. I also felt like Sam Meier continues to impress during his 9th-grade year."

 

 

Top Performers for the Female Runners

 

  • Gold Girls – HS Teams (Overall 25th Place): 
  • Maya Easterwood finished 3rd - 17:37.50
  • Mallory Sherrer finished 76th - 19:50.90
  • Rachel Arrington finished 184th - 21:17.10

 

Coach Wren commented:
"Maya Easterwood ran a 17:37, improving her best course time by over 30 seconds. She finished 3rd overall. Maya was in control the entire race and really attacked the course. She was fun to watch and is running with a lot of confidence right now. Mallory Sherrer was Coppell's #2 runner on Saturday and ran the best time she's ever run on this 5k course. I was also impressed with how well Avery Fishman ran as she PR'd."

 

  • 6A Varsity Girls – HS Teams (Overall 23rd Place): 
  • Akshaya Ashokanand finished 103rd - 23:19.40
  • Rhea Bala finished 104th - 23:19.50
  • Shreya Shah finished 120th – 23:32.10

 

Coach Wren added:
"I was proud of how these girls battled through hot and humid conditions. The three that stood out the most were Akshaya Ashokanand, Rhea Bala, and Shreya Shah."

 


  

Coach Wren’s Remarks

 

We look forward to running in the Jesuit XC Classic this Saturday as a final tune-up before District.  


  

Looking Ahead

 

As we move forward, our team remains focused and is preparing for the Jesuit Classic meet in Oak Point. With each race, our runners gain valuable experience, and they’ll be ready to compete and showcase their progress at the upcoming meet. We’re excited to see how they perform as they build on the momentum from recent races. Until next time, we’ll continue to push forward.


 

 

Contact Information


For more details or to support the team, please contact:
Patricia Chi
Email: chi.patricia@gmail.com
Phone: (469) 831-3709

Patricia Chi
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Grant O'Neal.jpg

Our Varsity team traveled to Round Rock, Texas, to compete in the Hoka/McNeil Invitational on Saturday, September 21. With over 300 teams competing, the race featured some of the toughest competition in the state on the challenging state course. Despite the intense field, our athletes delivered impressive performances, showing both determination and grit. For many of our fresh runners, this meet provided valuable experience as they prepare for future competitions.

 


 

Individual and Team Highlights

 

Top Performers for the Male Runners

 

  • Gold Boys – HS Teams (Overall 25thPlace):
  • Grant O’Neal finished 86th - 16:51.00
  • Rohit Kalpathy finished 108th - 17:00.10
  • Rodrigo Abrego finished 134th - 17:13.80

 

Coach Wren added:

“The varsity boys have been dealing with different illnesses over the course of the last three weeks.  We were once again running without one of our runners.  It was not a great day for our varsity boys.  Grant O'Neal led the way.  I felt like Rodrick Abrego ran a good race as well.  It was Rodrick's first race with our top team, so I was anxious to see how he would do.”

 

 

  • Silver Boys – HS Teams (Overall 23rd Place):
  • Diego Morales finished 51st - 17:28.90
  • Sam Meier finished 83rd - 17:51.40
  • Aiden George finished 128th - 18:22.40

 

Per Coach Wren:

"The course got the best of our silver group as well. That said, I felt like Diego Morales ran well after being out a few weeks. I also felt like Sam Meier continues to impress during his 9th-grade year."

 

 

Top Performers for the Female Runners

 

  • Gold Girls – HS Teams (Overall 25th Place): 
  • Maya Easterwood finished 3rd - 17:37.50
  • Mallory Sherrer finished 76th - 19:50.90
  • Rachel Arrington finished 184th - 21:17.10

 

Coach Wren commented:
"Maya Easterwood ran a 17:37, improving her best course time by over 30 seconds. She finished 3rd overall. Maya was in control the entire race and really attacked the course. She was fun to watch and is running with a lot of confidence right now. Mallory Sherrer was Coppell's #2 runner on Saturday and ran the best time she's ever run on this 5k course. I was also impressed with how well Avery Fishman ran as she PR'd."

 

  • 6A Varsity Girls – HS Teams (Overall 23rd Place): 
  • Akshaya Ashokanand finished 103rd - 23:19.40
  • Rhea Bala finished 104th - 23:19.50
  • Shreya Shah finished 120th – 23:32.10

 

Coach Wren added:
"I was proud of how these girls battled through hot and humid conditions. The three that stood out the most were Akshaya Ashokanand, Rhea Bala, and Shreya Shah."

 


  

Coach Wren’s Remarks

 

We look forward to running in the Jesuit XC Classic this Saturday as a final tune-up before District.  


  

Looking Ahead

 

As we move forward, our team remains focused and is preparing for the Jesuit Classic meet in Oak Point. With each race, our runners gain valuable experience, and they’ll be ready to compete and showcase their progress at the upcoming meet. We’re excited to see how they perform as they build on the momentum from recent races. Until next time, we’ll continue to push forward.


 

 

Contact Information


For more details or to support the team, please contact:
Patricia Chi
Email: chi.patricia@gmail.com
Phone: (469) 831-3709

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Shelton's Charger Recharger can repurpose PET bottles that would otherwise wind up in a landfill into usable 3D printer filament.
Shelton Engineering and Film teacher Tripp Givens is leading the charge in sustainability with his students' creation of the "Charger Recharger." The invention turns recycled materials into 3D printer filament, showcasing the ingenuity and environmental consciousness of the Shelton Class of 2024.
 
The Charger Recharger can repurpose PET bottles that would otherwise wind up in a landfill into usable 3D printer filament. This allows students to create prototypes, lab parts and other projects using items that would otherwise be considered trash.
 
The engineering students began by researching existing designs online, using CAD software to modify them and then brought their vision to life through 3D printing. A highlight of the project was their resourcefulness in repurposing parts from a broken 3D printer to build the machine. They also constructed a device to cut PET bottles into uniform widths using a combination of wood, 3D-printed parts, and other recycled components. Their ingenuity extended to developing methods for preparing bottles for recycling, laying the foundation for future sustainable projects.
 
Several Shelton alumni played key roles in the Charger Recharger's development, including Alexander Arens, who is currently studying engineering at Purdue University, and Ben Stafford, now pursuing engineering at the Rochester Institute of Technology. Alumni Jack Jones and Will Killebrew also made significant contributions while at Shelton.
 
Current engineering students are excited to take the project further by collaborating with Shelton’s STEM Club, led by Sydney Davis, in their recycling efforts. Together, they plan to brainstorm creative ideas for useful things to 3D print, possibly even creating a display to showcase their work. The Outdoor Club will also join the recycling initiatives, making it a school-wide effort.
 
Givens is already thinking about the future, with a goal of creating a second machine made entirely from recycled materials. As sustainability becomes a key focus, the Charger Recharger serves as a beacon of innovation, community involvement and environmental consciousness at Shelton.
Kathy Beazley
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Photo credit NAMI North Texas

NAMI North Texas is excited to announce an upcoming fundraiser, "Strike Out Stigma," taking place at Shenaniganz Entertainment Center in Rockwall on October 5, 2024, from 4:00 PM to 7:00 PM. This event kicks off Mental Illness Awareness Week (October 6 – October 12, 2024) and promises to be an unforgettable experience for all ages.

Event Highlights:

  • Location: Shenaniganz Entertainment Center, 1290 I-30 Rockwall, TX 75032
  • Activities: Bowling tournament, delicious food, exciting prizes, and more
  • Family Fun: Shenaniganz offers axe throwing, laser tag, bumper cars, arcade games, and a fun kids zone (note: some activities are not included in event entry fees)

Event Details:

  • Bowling (Team of 4, Food Included): $200
  • Sponsorship Packages: Ranging from $250 to $5,000

Shenaniganz Entertainment Center is renowned for its diverse activities and vibrant atmosphere, making it the perfect venue for a day of fun and philanthropy. Bring your family and friends to enjoy bowling, delicious eats and drinks, and a variety of other exciting activities. While some activities are not included in the event entry fees, there is something for everyone to enjoy.

Purpose:

Mental Illness Awareness Week was established in 1990 to promote education and increase awareness about mental illness. Each year, millions of Americans face the reality of living with a mental health condition, affecting everyone directly or indirectly through family, friends, or coworkers. NAMI North Texas and participants across the country use this week to raise awareness, fight discrimination, and provide support through various activities.

By joining us at "Strike Out Stigma," you are helping to support NAMI North Texas's mission to educate the public about mental health conditions and advocate for those affected by mental illness. Your participation and generosity will make a significant difference in the lives of many.

Register and Learn More:

To learn more about the event or to register, visit naminorthtexas.org/events.

About NAMI North Texas:

Founded in 1982, NAMI North Texas, a 501(c)(3) tax-deductible nonprofit organization, advocates for equitable access to mental health services, treatment, supports and research and is steadfast in its commitment to raise awareness and build a community of hope for all of those in need. Serving Dallas, Collin, Denton, and Rockwall counties, NAMI North Texas provides essential and free education, advocacy and support group programs. For more information, visit www.naminorthtexas.org.

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Since its inception in 1957, the Commemorative Air Force (CAF) has worked to preserve, protect, and share the history of American military aviation. For the second year, the Dallas-based nonprofit will host Aviation Discovery Fest from Oct. 4-6 at Dallas Executive Airport.

A fantastic array of historically significant and beautiful World War II-era airplanes will be on display at the Aviation Discovery Fest, many of which can be booked for private rides. For true history buffs, these airplane rides serve as bucket-list memories and an exceptional way to experience history. Funds generated from rides help maintain and preserve these flying pieces of history. In addition to rides, several airplanes attending will offer cockpit tours and hands-on experiences. Featured aircraft at this year’s event and their classifications include:

 

B-29 Superfortress FIFI, Heavy Bomber *             

P-51 Mustang Gunfighter, Fighter *

B-24 Liberator Diamond Lil, Heavy Bomber

L-26 AeroCommander Ike’s Bird, Liaison

T-34 Mentor, Trainer *

PT-13 Stearman, Trainer *

AT-6 Texan Nella, Trainer *

T-33 Shooting Star, Trainer

C-47 Skytrain That’s All, Brother, Transport *

PT-19 Pride of Corsicana, Trainer *

C-45 Expeditor Texas Dolls, Transport     

C-45 Expeditor Bucket of Bolts, Transport *

L-5 Sentinel, Liaison

P-40 Warhawk, Fighter

R4D Ready 4 Duty, Transport

AC-47 Spooky, Gunship

C-45 Expeditor Yellow Belly, Transport *

B-25 Yellow Rose, Medium Bomber *

 

* Indicates paid rides available.

 

New to the festival this year is an AC47 “Spooky,” which is interesting because it was a frequently used gunship in the Korean War and Vietnam War eras. Also known as “Puff the Magic Dragon” for how it looked while unleashing bombs, the AC47 will be on static display at the festival, with veterans who flew the warbirds on hand to speak about the airplane.

But the Aviation Discovery Fest offers more than just seeing these historic warbirds. Families will enjoy one of the largest Living History experiences available in the country, with re-enactors and military vehicles. These expertly staffed interactive displays bring the wartime experience to life for guests of all ages. Kids will love the chance to ride in a half-track or other military transport vehicle.

 

Visitors will find the Aviation Discovery Zone inside the Henry B. Tipple National Aviation Education Center (NAEC). This highly interactive area includes dozens of educational experiences, live performances and more. Throughout the weekend, veterans will share their experiences, often in front of the airplanes that were historically significant during the campaigns in which they served.

The event will also include a classic car show featuring restored vehicles from the 1930s through 1960s.

 

“American veterans are celebrated in every aspect of Aviation Discovery Fest,” said Leah Block, Vice President of Marketing for the Commemorative Air Force. “Their stories will come to life in ways that families cannot experience anywhere else.”

Friday, Oct. 4, is Education Day at Aviation Discovery Fest. On that day, thousands of school groups and homeschooled children can attend the event free of charge when registered by Sept. 20. Schools or homeschool groups should register to attend here: aviationdiscoveryfest.org/education-day.

Volunteers are needed throughout the weekend. Those interested should register here: aviationdiscoveryfest.org/volunteer.

Tickets for the Aviation Discovery Fest start at just $5. A family pass, which includes two adult tickets and up to three children’s tickets on Saturday or Sunday, is available for $40, which reflects up to a $30 savings. New this year, visitors can purchase an additional cockpit tour pass, which gives access to inside the aircraft. Tickets for the event can be purchased at aviationdiscoveryfest.org.

 

Event information:

 

Name:  Aviation Discovery Fest

 

When:  Oct. 4-6, 2024

              Friday, Oct. 4                    9 a.m. – 3 p.m.

              Saturday, Oct. 5               9 a.m. – 4 p.m.

              Sunday, Oct. 6                 9 a.m. – 4 p.m.

 

Where: 5657 Mariner Dr., Dallas, TX 75237

 

Price:    Tickets (Good for 1 Day; not including online fees):

  • Family Pass (2 adults & up to 3 kids ages 18 and younger; valid for Saturday or Sunday entry) $40
  • Adults (18-64) $20
  • Seniors (65 & up) $15
  • Veterans & CAF Colonels $10
  • Students (12-18) $10
  • Children (6-12) $5
  • Kids 5 and younger are free when accompanied by a ticketed adult

Free on Friday for registered school-age students, children under 5, active/retired military and CAF Colonel members

 

Info:      aviationdiscoveryfest.org