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The onlookers watching Marc Rebillet scurrying barefoot between instruments weren’t sure what to do with themselves. It was a Sunday night, and a dozen or so strangers were in a Brooklyn office space rented out by Rebillet (pronounced rub-ee-yay), who appeared in jeans and a chic striped shirt instead of his usual performance attire: a bathrobe draped over boxer briefs. On a table before two large picture windows sat his laptop, MIDI keyboard, and loop station—a small, switchboard-looking device that records sounds and plays them back on repeat. Nearby were an upright piano, a Rhodes keyboard, and a drummer and bassist holding down a jazzy groove. There were also snacks, a fridge stocked with booze and sparkling water, some small musical instruments for the guests…

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